Crafting a Story - Creating Bad Guys

 

While editing the latest entry for the Blood on the Wand series, I spent some time reflecting on just what makes a compelling villain. I thought I would share my thoughts here.

Almost every story needs a bad guy or girl. In some stories, it is an entity such as a large corporation; in other stories, it is an individual who opposes the good guys in their effort to resolve whatever problem or crisis the story has handed them. These bad people can be just slightly mean or purely evil. Which they are depends on what the story calls for. There are certainly places for both, but is there a place for an evil villain who is evil just for the sake of being evil?

Have you ever read a story where the villain loves to see another person in pain, loves the torture, the destruction? It just seems to be a part of who and what they are. Evil. I have no real problem with a character being sadistic; there are certainly such people in the world. But do we, as readers, want a villain who is totally malicious, but for no apparent reason? As mentioned, there are certainly evil people in this world, but generally they were not born that way. Something happened along the way: some traumatic event, some defining moment when they were pushed toward the darkness. A line from a favorite movie tells us: he was not born a monster; he was made one through years of systematic abuse. Which brings up the primary question here: Do fictional bad guys need a reason to be bad?

As a reader, I would like to know what happened in the villain's life that pushed them so far into the darkness. If you are writing a longer novel, there should be plenty of space and opportunity to give us a reasonable backstory, a reason they hate people, perhaps even hate themselves. Was it the rejection of a parent? A lover? The betrayal of a partner or close friend? Whatever the reason for the maliciousness, it needs to match the level of evil. A romantic breakup in high school should not create a serial killer. Years of abuse, isolation and degradation from a parent might. How sinister your bad guy is needs to be proportional to the trauma they were forced to endure.

While a villain is a narrative necessity, and most are not nice people, I get frustrated when a writer presents a character who is so evil, so sinister, that they love to watch others in pain, love to torture and kill for recreation, but offer no backstory. A part of me always wants to know why. Why are they so bad? True, they are bad because your story needs them to be that way, which is fine. Just shed a little light on what happened to make them that way. Pull the curtain back just a bit and let us see the trauma they endured. It just might make the bad guys a little more sympathetic, a little more understandable. As a reader, you still want them to fail; you still want to see them get the comeuppance they so richly deserve, but I find it far more entertaining if I know their motivation. You have surely told us your hero’s motivation, shown us why he fights so hard for what he believes. Now show us why the villain is so set in their efforts to make the hero fail.

I once heard an instructor tell his students to allow the bad guy to occasionally stop and smell the roses. He was telling his students to let their bad guy be human, be relatable to the reader. People take action or react to situations based on their life experiences. We are all formed by the decisions we make, the environment we inhabit, and our interactions with others. Use these to give your villain a reason for being bad.  No one is born a monster. They decide to embrace the darkness for a reason. You will almost certainly tell us why your hero is so valiant; now go the extra step and tell us what made the bad guy bad. We will still hate him, but maybe we will have just a hint of sympathy for his plight, and that can add drama, emotion, and perhaps even a moment of reflection. Not bad things to have in a story.






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